I am fascinated by objects that may or may not hold any monetary worth.

But are sought after because of its “significants”. Inanimate objects have the power to engage our emotions, memories and imaginations, which is why I consider them most valuable, undoubtedly priceless.

In my family, remnants of textiles that were once poblano dresses, carpetas (doily), mantels (table cloths), and guayaberas (mens shirts) were once cherished and passed down as if they too were pieces of “Fine China.”

Initially, my ceramic forms were inspired by traditional English and French wares, as I worked exclusively in porcelain. Most recently, I’ve transitioned to using stoneware—embracing its rustic, impure qualities, rich with grit drawing inspiration from its warm tones. In many ways, this transition mirrors the material language of Latino cultural traditions, where earth, texture, and imperfection carry beautiful history, resilience and a lived experience.

This shift is driven by a desire to explore and express a deeper sense of personal and cultural identity. In celebrating my heritage and reconnecting with my roots, I’ve begun incorporating vibrant color in juxtaposition with familiar silhouettes. Through this practice, I invite viewers to reconsider what we value—and why.